A 2- Day Plein Air Workshop Experience
I wanted to paint a lovely Michigan scene, the tall green
trees against a blue sky. HA HA HA said the weather to my plans (and therein
lies the first lesson of plein air painting – the weather will never cooperate).
White Barn, Grey Day |
Attempted Plein Air Painting |
The first day the skies were grey and angry threatening and
the orchard was full of mud (lesson two wear good boots). But I was determined
to paint en plein air, so I set up against the wind. I found a white barn
against the grey sky. This work is unfinished and will probably remain that
way. I am unhappy with the results. I liked the light path against the grass,
but my painting is too lugubrious, my husband said it looks like “English
Countryside”. Hmmm, I know that there were more colors in the white barn than I
have depicted.
I found a nice J-shaped branch that was filled with apples and leaves. I liked the way there were two apples that gleamed in the light while the other apples seemed to recede. I composed the work based on the J-motion from the top right corner down to the left corner. This painting is also incomplete, but I think it is much more successful as I feel it has more depth with the darks and lights (and yes, more color). The image and my setup are pictured below:
I highly recommend you plan your initial Plein Air painting session in a
workshop or with an instructor/art group. It was very helpful to have a supply list,
handouts, demos and guidance. Also, it was nice to have camaraderie with other artists.
My only caveat is that the next time I try Plein Air it will be a mild and sunny day! I'm going to get that sky and horizon!
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